Blockchain in Media, Advertising & Entertainment Market Size | CAGR 47.8%
Global Blockchain in Media, Advertising and Entertainment Market Size, Share & Analysis By Type (Public, Private, Consortium), By Enterprise Size (SMEs, Large Enterprises), By Application (Licensing and Rights Management, Digital Advertising, Online gaming, Content Security, Payments), Web3 Adoption Trends & Forecast 2025–2034
The Blockchain in Media, Advertising, and Entertainment Market is valued at approximately USD 3.1 billion in 2024 and is projected to reach nearly USD 112.4 billion by 2034, registering a robust CAGR of around 47.8% during 2025–2034. This surge reflects the rapid adoption of decentralized content management, transparent advertising ecosystems, and tokenized revenue models across global media platforms.
This significant growth trajectory underscores the transformative impact blockchain is having across the creative and digital content ecosystems. Historically plagued by piracy, ad fraud, and opaque compensation models, the media, advertising, and entertainment sectors are now increasingly leveraging blockchain to drive transparency, streamline operations, and protect intellectual property. The demand for verifiable and tamper-proof records is accelerating blockchain adoption, especially in areas like content licensing, royalty distribution, and digital rights management. The shift toward direct creator-to-consumer distribution is also gaining momentum, empowering artists to monetize their work independently and securely, without intermediaries.
The market’s evolution is tightly linked to broader advances in blockchain infrastructure. Global blockchain technology itself is projected to expand rapidly—from approximately USD 160 billion in 2024 to over USD 14,800 billion by 2034, reflecting an expected CAGR exceeding 60%. In parallel, generative AI in media and entertainment is anticipated to grow from USD 1,720 million in 2024 to nearly USD 13,900 million by 2034, at a CAGR of around 25–26%. These intersecting innovations are fostering a wave of automation, personalization, and content authenticity that was previously unattainable.
However, the path forward is not without obstacles. Integration with legacy systems remains complex and resource-intensive. A shortage of skilled professionals continues to challenge implementation at scale, while scalability and energy consumption remain pressing concerns—particularly in public blockchain networks. These hurdles may slow adoption, especially among smaller players with limited technical or financial capacity.
Regionally, North America leads the charge, fueled by a concentration of tech giants, strong IP laws, and early-stage investment. Europe and Asia-Pacific are rapidly emerging as innovation hubs, with governments increasingly supporting blockchain experimentation in media and digital ecosystems. These regions are also witnessing heightened investor interest, particularly in startups developing blockchain-based content platforms and advertising solutions.
As blockchain merges with AI-driven content creation, metaverse ecosystems, decentralized data ownership, and tokenized media structures, the global entertainment landscape is entering a new era characterized by security, transparency, automation, and creative monetization—marking this sector as one of the most promising digital investment frontiers of the coming decade.
Key Takeaways
Market Growth: The global Blockchain in Media, Advertising, and Entertainment market is set to expand from USD 3.1 billion in 2024 to USD 112.4 billion by 2034, reflecting a CAGR of 47.8% (2025–2034). Growth is driven by rising demand for secure content distribution, transparent advertising workflows, rights management, and automated royalty systems.
Network Type: The Private blockchain segment led the market in 2024 with a revenue share of over 52%, attributed to high security, scalability, and controlled access — crucial for protecting digital assets and sensitive media rights.
Enterprise Size: Large Enterprises held an estimated 58% share in 2024, given their financial capacity, global operations, and need for transparent multi-party digital rights management.
Application: The Payments segment accounted for 36% of market revenue in 2024, driven by growing adoption of blockchain-based micropayments, automated smart contract settlements, and real-time cross-border transactions.
Driver: Increasing global losses due to digital piracy and ad fraud (over USD 100B annually) make blockchain’s immutability essential for copyright protection, impression verification, and creator compensation transparency.
Restraint: Scalability limitations—especially on public chains—and high implementation costs restrict adoption for SMEs and high-volume advertisers or streaming platforms.
Opportunity: Asia-Pacific shows the highest growth potential, with government-backed blockchain programs and fast-growing decentralized content ecosystems leading to adoption across music, gaming, and digital advertising markets.
Trend: Blockchain + AI convergence is reshaping media creation and distribution. With the Blockchain-AI market projected to grow from USD 420M in 2024 to USD 3.5B by 2034, integrated systems are powering intelligent rights management and automated ad-tech ecosystems.
Regional Outlook: North America led the global market with ~39% share in 2024, supported by enterprise adoption and strong IP policies. Europe and Asia-Pacific are rapidly emerging through Web3 innovation hubs, digital content startups, and cross-border blockchain regulatory frameworks.
Type Analysis
As of 2025, the private blockchain segment remains the most dominant in the media, advertising, and entertainment market, accounting for over 52% of global revenue share. This continued leadership is attributed to the high level of control, security, and scalability that private blockchain networks offer—features that are essential when managing sensitive digital assets and proprietary content. In industries frequently exposed to copyright infringements, piracy, and fraud, the ability to restrict access to verified participants ensures a safer environment for content distribution and licensing.
Private blockchains are particularly attractive to large media firms due to their high throughput capacity and ability to support enterprise-grade applications, including real-time royalty tracking, digital rights enforcement, and fraud-resistant advertising verification. Unlike public blockchains, which are open and slower, private networks allow for faster transactions and minimal latency—critical features for digital media operations that process thousands of transactions per minute.
Additionally, private blockchain solutions integrate more seamlessly with existing IT infrastructures, which reduces transition costs and operational disruption. As organizations continue to customize blockchain deployments to suit their unique business models, the private segment is expected to witness sustained demand, especially among global content platforms, broadcasters, and studios that prioritize data sovereignty and compliance.
Application Analysis
The Payments segment led the blockchain application landscape in 2025, commanding more than 36% of total market value. This dominance reflects the strategic value blockchain brings in modernizing financial workflows in the media ecosystem—from automating royalty disbursements to streamlining cross-border payments. With smart contracts, media companies can initiate automated transactions based on predefined triggers such as streaming counts, ad views, or usage rights, significantly reducing administrative delays and disputes.
Blockchain's immutable ledger system also enhances trust and accuracy in financial reporting, which is vital for creators, advertisers, and production studios managing complex multi-party agreements. For global firms operating in multiple jurisdictions, blockchain enables real-time settlement in multiple currencies, reducing forex conversion overheads and compliance challenges. This application is increasingly integrated into platforms like Spotify, YouTube, and decentralized streaming services aiming to offer transparent compensation models to artists and rights holders.
Other applications such as Licensing and Rights Management and Digital Advertising are also rapidly growing, supported by increased demand for IP protection and ad fraud mitigation. These segments are expected to gain momentum with the proliferation of Web3 platforms and decentralized content ecosystems.
Enterprise Analysis Size
In 2025, large enterprises continue to dominate blockchain adoption in the media, advertising, and entertainment sectors, holding an estimated 58% market share. These organizations possess the infrastructure, capital, and strategic alignment necessary to deploy blockchain technologies at scale. Their operations often span international markets and complex supply chains, which creates demand for secure, transparent systems to manage digital rights, ad delivery verification, and payments.
Blockchain adoption among large enterprises is often part of broader digital transformation initiatives, allowing these companies to establish leadership in emerging content monetization models, such as tokenized media and NFT-based licensing. Media giants like Warner Bros. Discovery and NBCUniversal are exploring blockchain for secure content distribution and audience engagement, driving mainstream use cases and setting standards that smaller players follow.
While SMEs show rising interest, especially in creative industries and independent content production, they face barriers including high implementation costs and limited technical expertise. However, as blockchain-as-a-service (BaaS) platforms become more accessible and user-friendly, adoption among SMEs is expected to increase steadily in the second half of the decade.
Regional Analysis
North America retains its position as the global leader in the blockchain in media, advertising, and entertainment market, contributing over 39% of total revenue in 2025. The region benefits from a robust ecosystem of blockchain innovators, established media conglomerates, and a supportive regulatory environment. U.S.-based firms are at the forefront of deploying blockchain to manage IP rights, automate ad billing, and combat streaming piracy.
Major partnerships between tech firms (like IBM and Microsoft) and content platforms continue to accelerate blockchain integration across North America. Regulatory frameworks such as the Digital Millennium Copyright Act (DMCA) also support blockchain’s role in securing intellectual property and enforcing licensing agreements. Moreover, North American startups are leading the charge in Web3-native content distribution platforms, positioning the region as an incubator for decentralized media innovation.
Meanwhile, Asia Pacific is emerging as the fastest-growing region, driven by high digital content consumption, expanding creative economies, and government-backed blockchain pilots in countries like China, South Korea, and Singapore. Regions such as Europe are focused on regulatory harmonization and cross-border blockchain projects, while Latin America and the Middle East & Africa are gradually adopting blockchain to solve legacy challenges in payment processing and IP management in their creative sectors. As infrastructure matures globally, these emerging regions are likely to experience a sharp uptick in blockchain-based media applications through 2034.
By Type (Public, Private, Consortium), By Enterprise Size (SMEs, Large Enterprises), By Application (Licensing and Rights Management, Digital Advertising, Online gaming, Content Security, Payments, Others)
Research Methodology
Primary Research- 100 Interviews of Stakeholders
Secondary Research
Desk Research
Regional scope
North America (United States, Canada, Mexico)
Latin America (Brazil, Argentina, Columbia)
East Asia And Pacific (China, Japan, South Korea, Australia, Cambodia, Fiji, Indonesia)
Sea And South Asia (India, Singapore, Thailand, Taiwan, Malaysia)
Eastern Europe (Poland, Russia, Czech Republic, Romania)
Western Europe (Germany, U.K., France, Spain, Itlay)
Middle East & Africa (GCC Countries, Egypt, Nigeria, South Africa, Israel)
Customization for segments, region/country-level will be provided. Moreover, additional customization can be done based on the requirements.
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TABLE OF CONTENTS
1. EXECUTIVE SUMMARY
1.1. MARKET SNAPSHOT
1.2. KEY FINDINGS & INSIGHTS
1.3. ANALYST RECOMMENDATIONS
1.4. FUTURE OUTLOOK
2. RESEARCH METHODOLOGY
2.1. MARKET DEFINITION & SCOPE
2.2. RESEARCH OBJECTIVES: PRIMARY & SECONDARY DATA SOURCES
2.3. DATA COLLECTION SOURCES
2.3.1. COVERAGE OF 100+ PRIMARY RESEARCH/CONSULTATION CALLS WITH INDUSTRY STAKEHOLDERS
TABLE 1 BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT REGIONAL HISTORICAL ANALYSIS, 2020-2023 (USD MILLION)
TABLE 2 GLOBAL BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT MARKET, 2024–2034, (USD MILLION)
TABLE 3 BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE REGIONAL ANALYSIS, 2024–2034 (USD MILLION)
TABLE 4 GLOBAL BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT HISTORICAL MARKET TYPE ANALYSIS, 2020-2023, (USD MILLION)
TABLE 5 BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2024–2034 (USD MILLION)
TABLE 6 GLOBAL BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT HISTORICAL MARKET END USER ANALYSIS, 2020-2023, (USD MILLION)
TABLE 7 BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2024–2034 (USD MILLION)
TABLE 8 NORTH AMERICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT HISTORICAL MARKET ANALYSIS, 2020–2023, (USD MILLION)
TABLE 9 NORTH AMERICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034 (USD MILLION)
TABLE 10 NORTH AMERICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034 (USD MILLION)
TABLE 11 LATIN AMERICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT HISTORICAL MARKET ANALYSIS, 2020–2023, (USD MILLION)
TABLE 12 LATIN AMERICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034 (USD MILLION)
TABLE 13 LATIN AMERICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034 (USD MILLION)
TABLE 14 EASTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT HISTORICAL MARKET ANALYSIS, 2020–2023, (USD MILLION)
TABLE 15 EASTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034 (USD MILLION)
TABLE 16 EASTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034 (USD MILLION)
TABLE 17 WESTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT HISTORICAL MARKET ANALYSIS, 2020–2023, (USD MILLION)
TABLE 18 WESTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034 (USD MILLION)
TABLE 19 WESTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034 (USD MILLION)
TABLE 20 EAST ASIA AND PACIFIC BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT HISTORICAL MARKET ANALYSIS, 2020–2023, (USD MILLION)
TABLE 21 EAST ASIA AND PACIFIC BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034 (USD MILLION)
TABLE 22 EAST ASIA AND PACIFIC BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034 (USD MILLION)
TABLE 23 SEA AND SOUTH ASIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT HISTORICAL MARKET ANALYSIS, 2020–2023, (USD MILLION)
TABLE 24 SEA AND SOUTH ASIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034 (USD MILLION)
TABLE 25 SEA AND SOUTH ASIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034 (USD MILLION)
TABLE 26 MIDDLE EAST AND AFRICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT HISTORICAL MARKET ANALYSIS, 2020–2023, (USD MILLION)
TABLE 27 MIDDLE EAST AND AFRICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034 (USD MILLION)
TABLE 28 MIDDLE EAST AND AFRICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034 (USD MILLION)
TABLE 29 U.S. BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 30 U.S. BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 31 CANADA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 32 CANADA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 33 MEXICO BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 34 MEXICO BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 35 BRAZIL BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 36 BRAZIL BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 37 ARGENTINA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 38 ARGENTINA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 39 COLUMBIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 40 COLUMBIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 41 REST OF LATIN AMERICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 42 REST OF LATIN AMERICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 43 POLAND BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 44 POLAND BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 45 RUSSIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 46 RUSSIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 47 CZECH REPUBLIC BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 48 CZECH REPUBLIC BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 49 ROMANIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 50 ROMANIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 51 REST OF EASTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 52 REST OF EASTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 53 GERMANY BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 54 GERMANY BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 55 FRANCE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 56 FRANCE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 57 UK BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 58 UK BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 59 SPAIN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 60 SPAIN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 61 ITALY BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 62 ITALY BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 63 REST OF WESTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 64 REST OF WESTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 65 CHINA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 66 CHINA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 67 JAPAN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 68 JAPAN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 69 AUSTRALIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 70 AUSTRALIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 71 CAMBODIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 72 CAMBODIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 73 FIJI BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 74 FIJI BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 75 INDONESIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 76 INDONESIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 77 SOUTH KOREA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 78 SOUTH KOREA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 79 REST OF EAST ASIA AND PACIFIC BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 80 REST OF EAST ASIA AND PACIFIC BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 81 BANGLADESH BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 82 BANGLADESH BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 83 NEW ZEALAND BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 84 NEW ZEALAND BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 85 INDIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 86 INDIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 87 SINGAPORE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 88 SINGAPORE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 89 THAILAND BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 90 THAILAND BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 91 TAIWAN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 92 TAIWAN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 93 MALAYSIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 94 MALAYSIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 95 REST OF SEA AND SOUTH ASIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 96 REST OF SEA AND SOUTH ASIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 97 GCC COUNTRIES BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 98 GCC COUNTRIES BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 99 SAUDI ARABIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 100 SAUDI ARABIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 101 UAE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 102 UAE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 103 BAHRAIN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 104 BAHRAIN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 105 KUWAIT BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 106 KUWAIT BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 107 OMAN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 108 OMAN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 109 QATAR BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 110 QATAR BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 111 EGYPT BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 112 EGYPT BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 113 NIGERIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 114 NIGERIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 115 SOUTH AFRICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 116 SOUTH AFRICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 117 ISRAEL BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 118 ISRAEL BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 119 REST OF MEA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
TABLE 120 REST OF MEA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
TABLE 121 BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE KEY COUNTRY LEVEL ANALYSIS, 2024–2034 (USD MILLION)
LIST OF FIGURES
FIGURE 1 GLOBAL BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT MARKET, 2025–2034, (USD MILLION)
FIGURE 2 RESEARCH METHODOLOGY
FIGURE 3 GLOBAL BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE MARKET, 2024–2034, (USD MILLION)
FIGURE 4 GLOBAL BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE MARKET, 2024–2034, (USD MILLION)
FIGURE 5 MARKET OVERVIEW
FIGURE 6 SWOT ANALYSIS
FIGURE 7 MARKET SHARE ANALYSIS
FIGURE 8 SUPPLY CHAIN ANALYSIS
FIGURE 9 PORTER’S FIVE FORCES ANALYSIS
FIGURE 10 BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT TYPE ANALYSIS
FIGURE 11 GLOBAL BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE MARKET TYPE ANALYSIS, 2024–2034, (USD MILLION)
FIGURE 12 BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT END USER ANALYSIS
FIGURE 13 GLOBAL BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE MARKET END USER ANALYSIS, 2024–2034, (USD MILLION)
FIGURE 14 GLOBAL BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE MARKET VOLUME SHARE REGIONAL ANALYSIS, 2024–2034, (USD MILLION)
FIGURE 17 NORTH AMERICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 18 NORTH AMERICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 19 MARKET SHARE BY COUNTRY
FIGURE 20 LATIN AMERICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 21 LATIN AMERICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 22 MARKET SHARE BY COUNTRY
FIGURE 23 EASTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 24 EASTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 25 MARKET SHARE BY COUNTRY
FIGURE 26 WESTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 27 WESTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 28 MARKET SHARE BY COUNTRY
FIGURE 29 EAST ASIA AND PACIFIC BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 30 EAST ASIA AND PACIFIC BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 31 MARKET SHARE BY COUNTRY
FIGURE 32 SEA AND SOUTH ASIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 33 SEA AND SOUTH ASIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 34 MARKET SHARE BY COUNTRY
FIGURE 35 MIDDLE EAST AND AFRICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 36 MIDDLE EAST AND AFRICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 37 NORTH AMERICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE MARKET VOLUME SHARE REGIONAL ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 38 U.S. BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 39 U.S. BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 40 CANADA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 41 CANADA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 42 LATIN AMERICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE MARKET VOLUME SHARE REGIONAL ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 43 MEXICO BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 44 MEXICO BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 45 BRAZIL BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 46 BRAZIL BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 47 ARGENTINA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 48 ARGENTINA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 49 COLUMBIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 50 COLUMBIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 51 REST OF LATIN AMERICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 52 REST OF LATIN AMERICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 53 EASTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE MARKET VOLUME SHARE REGIONAL ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 54 POLAND BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 55 POLAND BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 56 RUSSIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 57 RUSSIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 58 CZECH REPUBLIC BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 59 CZECH REPUBLIC BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 60 ROMANIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 61 ROMANIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 62 REST OF EASTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 63 REST OF EASTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 64 WESTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE MARKET VOLUME SHARE REGIONAL ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 65 GERMANY BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 66 GERMANY BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 67 FRANCE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 68 FRANCE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 69 UK BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 70 UK BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 71 SPAIN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 72 SPAIN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 73 ITALY BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 74 ITALY BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 75 REST OF WESTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 76 REST OF WESTERN EUROPE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 77 EAST ASIA AND PACIFIC BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE MARKET VOLUME SHARE REGIONAL ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 78 CHINA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 79 CHINA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 80 JAPAN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 81 JAPAN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 82 AUSTRALIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 83 AUSTRALIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 84 CAMBODIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 85 CAMBODIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 86 FIJI BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 87 FIJI BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 88 INDONESIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 89 INDONESIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 90 SOUTH KOREA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 91 SOUTH KOREA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 92 REST OF EAST ASIA AND PACIFIC BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 93 REST OF EAST ASIA AND PACIFIC BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 94 SEA AND SOUTH ASIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE MARKET VOLUME SHARE REGIONAL ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 95 BANGLADESH BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 96 BANGLADESH BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 97 NEW ZEALAND BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 98 NEW ZEALAND BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 99 INDIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 100 INDIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 101 SINGAPORE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 102 SINGAPORE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 103 THAILAND BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 104 THAILAND BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 105 TAIWAN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 106 TAIWAN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 107 MALAYSIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 108 MALAYSIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 109 REST OF SEA AND SOUTH ASIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 110 REST OF SEA AND SOUTH ASIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 111 MIDDLE EAST AND AFRICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE MARKET VOLUME SHARE REGIONAL ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 112 GCC COUNTRIES BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 113 GCC COUNTRIES BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 114 SAUDI ARABIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 115 SAUDI ARABIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 116 UAE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 117 UAE BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 118 BAHRAIN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 119 BAHRAIN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 120 KUWAIT BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 121 KUWAIT BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 122 OMAN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 123 OMAN BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 124 QATAR BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 125 QATAR BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 126 EGYPT BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 127 EGYPT BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 128 NIGERIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 129 NIGERIA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 130 SOUTH AFRICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 131 SOUTH AFRICA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 132 ISRAEL BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 133 ISRAEL BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 134 REST OF MEA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE TYPE ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 135 REST OF MEA BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE END USER ANALYSIS, 2025–2034, (USD MILLION)
FIGURE 136 U. S. MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 137 U. S. MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 138 CANADA MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 139 CANADA MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 140 MEXICO MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 141 MEXICO MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 142 CHINA MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 143 CHINA MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 144 JAPAN MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 145 JAPAN MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 146 INDIA MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 147 INDIA MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 148 SOUTH KOREA MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 149 SOUTH KOREA MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 150 SAUDI ARABIA MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 151 SAUDI ARABIA MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 152 UAE MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 153 UAE MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 154 EGYPT MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 155 EGYPT MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 156 NIGERIA MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 157 NIGERIA MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 158 SOUTH AFRICA MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 159 SOUTH AFRICA MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 160 GERMANY MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 161 GERMANY MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 162 FRANCE MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 163 FRANCE MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 164 UK MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 165 UK MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 166 SPAIN MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 167 SPAIN MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 168 ITALY MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 169 ITALY MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 170 BRAZIL MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 171 BRAZIL MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 172 ARGENTINA MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 173 ARGENTINA MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 174 COLUMBIA MARKET SHARE ANALYSIS BY TYPE (2024)
FIGURE 175 COLUMBIA MARKET SHARE ANALYSIS BY END USER (2024)
FIGURE 176 GLOBAL BLOCKCHAIN IN MEDIA, ADVERTISING AND ENTERTAINMENT CURRENT AND FUTURE MARKET KEY COUNTRY LEVEL ANALYSIS, 2024–2034, (USD MILLION)
FIGURE 177 FINANCIAL OVERVIEW:
Key Player Analysis
IBM: IBM continues to hold a leadership position in the blockchain in media, advertising, and entertainment market, leveraging its enterprise-grade blockchain platform, IBM Blockchain, and deep domain expertise across media value chains. The company’s focus on permissioned blockchain networks positions it as a trusted partner for global media conglomerates requiring secure, scalable, and regulation-compliant solutions. IBM’s strategic alliances with major media and advertising firms—such as its collaboration with IPG and Mediaocean to combat ad fraud—reflect its emphasis on industry-specific innovation. In 2025, IBM has also integrated AI-powered analytics into its blockchain offerings, enabling real-time royalty tracking, digital rights verification, and predictive content monetization strategies. Its long-standing reputation, strong IP portfolio, and global cloud infrastructure give it a distinct edge, particularly in North America and Europe, where compliance and data privacy are paramount.
Microsoft: Positioned as a technology innovator, Microsoft has strengthened its role in the blockchain ecosystem through its Azure Blockchain Services, now increasingly embedded with AI and IoT integrations tailored for digital content management. In the media and entertainment vertical, Microsoft has enabled decentralized licensing platforms and transparent ad verification systems for clients seeking operational efficiency and trust-based transactions. With its expansive Azure cloud user base and enterprise penetration, Microsoft has scaled blockchain adoption through plug-and-play tools that reduce development time and cost. Recent 2025 initiatives include enhanced smart contract frameworks and cross-chain interoperability, aligning with the industry's push toward multi-platform content monetization. Its growing footprint in Asia-Pacific further highlights Microsoft’s strategic focus on emerging markets with rising digital media consumption.
Amazon Web Services (AWS): AWS has emerged as a disruptive enabler in the blockchain media market, capitalizing on its massive cloud infrastructure and global developer community. Through Amazon Managed Blockchain, AWS provides scalable solutions that support content authentication, IP protection, and secure streaming monetization. The platform is particularly attractive to startups and mid-size media enterprises seeking cost-effective deployment without compromising on speed or flexibility. AWS has accelerated blockchain adoption through partnerships with content platforms, ad-tech firms, and streaming services, enabling real-time microtransactions and decentralized content delivery models. In 2025, AWS’s integration of machine learning and edge computing with blockchain has further positioned it as a critical infrastructure partner for next-gen digital entertainment ecosystems.
Accenture: Accenture positions itself as a strategic transformation partner, helping media, advertising, and entertainment clients reimagine their blockchain strategies end-to-end. Unlike tech providers, Accenture combines its consulting depth with execution capability, offering customized blockchain architectures for use cases such as automated content licensing, transparent royalty flows, and cross-border advertising settlement. The firm’s global network of innovation hubs and industry alliances has allowed it to lead complex, multi-stakeholder blockchain pilots across the U.S., Europe, and Southeast Asia. In 2025, Accenture’s investment in sustainable blockchain frameworks—focusing on low-energy protocols and ESG-aligned data management—has become a key differentiator amid growing environmental scrutiny. Its deep client relationships and holistic digital transformation expertise make it a go-to advisor for enterprises navigating the convergence of blockchain, AI, and immersive media.
Market Key Players
Accenture
Amazon Web Services
IBM
Oracle
ClearCoin
SAP
Microsoft
Infosys Limited
Driver:
Demand for Transparency & Trust
As of 2025, the demand for greater transparency and trust in digital ecosystems has become a pivotal driver for blockchain adoption across the media, advertising, and entertainment industries. With ad fraud costing the global advertising sector an estimated $100 billion annually, and copyright infringement continuing to undermine creators' revenues, blockchain’s immutable and decentralized ledger system offers a critical solution. By enabling real-time, verifiable tracking of content ownership, licensing, and advertising impressions, blockchain reduces reliance on intermediaries and minimizes disputes over intellectual property rights. This not only enhances stakeholder accountability but also fosters a more equitable digital value chain, encouraging faster adoption across both established media conglomerates and emerging content platforms.
Restraint:
Scalability Limits in Public Blockchains
A key barrier limiting broader implementation of blockchain in this sector is the persistent challenge of scalability, particularly for public blockchain networks. As of 2025, many media and advertising applications require high-throughput systems capable of processing thousands of transactions per second, whether for real-time ad bidding or large-scale streaming royalties. Public blockchain platforms like Ethereum, while secure and decentralized, often struggle to meet these demands without incurring high gas fees or processing delays. This performance gap constrains the technology’s practical application at scale, especially in high-traffic environments such as global streaming platforms or programmatic advertising exchanges. Unless scalability solutions—such as Layer 2 protocols or blockchain interoperability—are widely adopted, mass-market deployment will remain limited.
Opportunity:
Rapid Growth in Media Tokenization & NFTs
The tokenization of digital media assets represents a significant growth avenue for the blockchain market, projected to surpass USD 50 billion in value by 2030, with non-fungible tokens (NFTs) and fractional ownership models driving adoption. In 2025, media companies and creators are increasingly leveraging blockchain to monetize content through NFTs, offering consumers exclusive access to music, film scenes, virtual merchandise, or behind-the-scenes content. Beyond individual creators, studios are exploring decentralized crowdfunding via tokenized revenue-sharing models, enabling fans to invest directly in content production. These innovations are reshaping media financing, expanding monetization strategies, and unlocking direct-to-consumer value streams that bypass traditional intermediaries.
Trend:
Rise of Decentralized Content & Web3 Ecosystems
A defining trend shaping the blockchain landscape in media and advertising in 2025 is the rise of decentralized content platforms and Web3-native ecosystems. These platforms enable creators to distribute, monetize, and protect their content without reliance on centralized entities like record labels, publishers, or streaming giants. Smart contracts automate licensing, ad payouts, and syndication processes, significantly reducing overhead while ensuring compliance. Meanwhile, blockchain integration in online gaming continues to gain momentum, with in-game NFTs and secure asset trading providing players with verifiable ownership and real economic value. This shift toward creator-led monetization and consumer-controlled data ownership signals a broader industry transformation, attracting both venture capital and enterprise investment into decentralized media infrastructure.
Recent Developments
Dec 2024 – Microsoft: Microsoft expanded its Azure Blockchain Services to include a media-focused toolkit enabling automated royalty tracking and smart contract-based licensing workflows. The update, launched in collaboration with global entertainment firms, is expected to reduce royalty settlement times by over 40%. This positions Microsoft as a key enabler of blockchain monetization infrastructure for global content providers.
Feb 2025 – Amazon Web Services (AWS): AWS announced a strategic partnership with Tencent Cloud to launch decentralized content distribution nodes across Southeast Asia, aimed at reducing latency for blockchain-powered streaming services. The initiative is projected to cover 30% of the region’s media traffic by 2026. This move strengthens AWS’s foothold in the fast-growing Asia-Pacific blockchain media ecosystem.
Apr 2025 – Accenture: Accenture completed the acquisition of BlockStream Media Solutions, a blockchain consulting firm specializing in digital advertising integrity and anti-fraud analytics, in a deal valued at USD 140 million. This acquisition enhances Accenture’s capabilities in blockchain-driven ad verification and campaign transparency services.
Jul 2025 – IBM: IBM launched a cross-platform blockchain rights management system, OpenLedger Rights, in partnership with three major music labels and two streaming giants. The solution has already onboarded over 8,000 content creators within the first month. This move reinforces IBM’s leadership in decentralized IP protection and creator-first content monetization models.
Sep 2025 – Animoca Brands: Web3 gaming and entertainment company Animoca Brands entered the media market with the launch of MetaStream Vault, a blockchain-powered platform for tokenized video content and collectible NFTs. Early access sales generated USD 18 million in creator revenue within six weeks. This signals the rising influence of blockchain-native disruptors targeting creator economies and decentralized streaming.